Very often on some of this stuff when I'd have to go to work. I'd just give the script a cursory glance. I had no training, and I was a quick study, so nobody knew how involved or not involved I was. But I look at that stuff now and I can see I wasn't involved, and I wasn't very good.

So I'm in that half-hour business where the most money is, so that eventually I feel like the people that put on the Dupont show, like maybe my artistic effort is going to be a little different.

They kept me in short pants as long as they could, until they were shaving the hair on my legs because it was beginning to photograph.

I would also like to act, once in a while, but not get up every morning at 5:30 or six o'clock and pound into the studio and get home at 7:30 or eight o'clock at night, or act over and over and over every night on Broadway, either.

To me, the series was the end of the actor, when the series ended.

If it's boring, then it's tiring.

I just knew how to do the one thing I did, and whether I did it well or not depended on who the director was.