A nice, steady job I don't need that bad. I'm not that satisfied with it.

So if I keep making mistakes on Broadway or tape or film, producing, directing or acting, I can go along and do it - so long as I'm not investing too much capital in these things.

I never say too much about that in public interviews, because it disappoints the public to tell them you're not that crazy about a property you did that possibly they liked.

Very often on some of this stuff when I'd have to go to work. I'd just give the script a cursory glance. I had no training, and I was a quick study, so nobody knew how involved or not involved I was. But I look at that stuff now and I can see I wasn't involved, and I wasn't very good.

There was never any effort made out there to improve the artist.

They kept me in short pants as long as they could, until they were shaving the hair on my legs because it was beginning to photograph.

So then you have to say to yourself: Do I want to be rich, or do I want to do good work?