The cinema that interests me departs from realism.

I think 'Scarface' is a great film, but if you have a character like Tony Montana, you don't identify with him at all. I think it's very interesting instead to identify yourself with a character you don't like all the time. You can create a tension between the fiction and the viewer. You force the spectator to wonder about his actions.

The most heroic thing you can do is tell someone that you love them.

When you're a kid and your father is an engineer, he goes to the office. I saw my father get up and go to the office in the house and write. But I don't see any similarities.

I really believe the form of the film must be in the scenario; cinema is not just added value to the scripting. I believe in it as a totality.

The cinema, as literature, as all the plastic arts, do not exist outside of a critical system that allows us to study them.

What interests me about genre is that the public connects immediately with it, it has certain rules, certain codes the audience recognizes. I can use that to create something very big.