I think 'Scarface' is a great film, but if you have a character like Tony Montana, you don't identify with him at all. I think it's very interesting instead to identify yourself with a character you don't like all the time. You can create a tension between the fiction and the viewer. You force the spectator to wonder about his actions.

What interests me about genre is that the public connects immediately with it, it has certain rules, certain codes the audience recognizes. I can use that to create something very big.

When things aren't working out, screenwriters have a tendency to say, "Go do other things," but you shouldn't do other things. You need to stay at your desk and continue to try to write. You need to insist on it.

Beauty is subjective: Bette Davis wasn't beautiful, but she was more than beautiful.

Film is abstract, not definite. It is a dream.

Used properly, cinema is the coolest thing in the world.

If you look at American studios, the big productions have nothing to do with reality.