The piano is the social instrument par excellence... drawing-room furniture, a sign of bourgeois prosperity, the most massive of the devices by which the young are tortured in the name of education and the grown-up in the name of entertainment.

Music, not being made up of objects nor referring to objects, is intangible and ineffable; it can only be as it were inhaled by the spirit: the rest is silence.

Machines are admirable and tyrannize only with the user's consent. Where, then, is the enemy? Not where the machine gives relief from drudgery but where human judgment abdicates. The smoothest machine-made product of the age is the organization man, for even the best organizing principle tends to corrupt, and the mechanical principle corrupts absolutely.

Finding oneself was a misnomer; a self is not found but made.

The nation in arms is virtually a communist state: the people must be paid wages and fed and protected and regimented behind the lines as much as on the front. Minds must be kept loyal and at the right pitch of hate, so that successive drafts of fighters are accepted without murmurings. Letters and newspapers must be censored while the propaganda mill grinds on. As for decisions of strategy and overall command, they must please many masters: dissenters in the cabinet, the heads of the allied states and public opinion. Hence failures must be disguised or concealed.

In ordinary speech the words perception and sensation tend to be used interchangeably, but the psychologist distinguishes. Sensations are the items of consciousness--a color, a weight, a texture--that we tend to think of as simple and single. Perceptions are complex affairs that embrace sensation together with other, associated or revived contents of the mind, including emotions.

Writing, at least a craft and at its best an art, aspiring to the unique, is the most difficult to learn.