My thesis is that the moral law is articulated with relation to the real as such, to the real insofar as it can be the guarantee of the Thing.

The narration, in fact, doubles the drama with a commentary without which no mise en scene would be possible.

The Mirror Stage as formative in the function of the I as revealed in psychoanalytic experience.

The only thing of which one can be guilty is of having given ground relative to one's desire.

I think where I am not, therefore I am where I do not think. I am not whenever I am the plaything of my thought; I think of what I am where I do not think to think.

If psychoanalysis clarifies some facts of sexuality, it is not by aiming at them in their own reality, not in biological experience.

What does it matter how many lovers you have if none of them gives you the universe?