A person can't know what happiness is without experiencing sadness. And I think that's healthy.

And as you got older, the training became more developed and precise. We did plays, we had voice classes with great dialect coaches. But I was never into it on a school level; it was this kind of private little thing I did. At school I was a rugby guy. At school I was a rugby guy. I was causing trouble with my mates and skating and tagging buildings, and smoking bongs.

I had this alter ego where I would go to the theater with mom. I wasn't embarrassed by it; it was separate for me.

When you're working with people you've seen in hundreds of films... it's a bit crazy to step outside yourself for a minute and think, 'This is surreal.' But I try not to get too bogged down in that.

I love that about filmmaking - seeing final product and getting to see everyone else that you don't necessarily engage with on set every day and getting them to showcase their talents. Whether it's effects, music, the edit, the rhythm of a film is driven by that, so it's cool to see it come together. It's great to be standing in front of something you're genuinely proud of.

I don't know if I'm an action star or if that's just how things are shaping up. I would hate to be boxed into that forever, but it's probably just a strength as far as my type goes, and I'm fine with that.

I started coming to L.A. as often as I could, for three months on and three months off, because immigration kicks you out after 90 days.