The news business is simple but it's not easy to do well. You know the story, you have to cover it, you need pictures, you need good writers, you have to get it to the screen but it's obviously not easy to do well.

And as you got older, the training became more developed and precise. We did plays, we had voice classes with great dialect coaches. But I was never into it on a school level; it was this kind of private little thing I did. At school I was a rugby guy. At school I was a rugby guy. I was causing trouble with my mates and skating and tagging buildings, and smoking bongs.

I don't know if I'm an action star or if that's just how things are shaping up. I would hate to be boxed into that forever, but it's probably just a strength as far as my type goes, and I'm fine with that.

I was always trying to perform, but never with some dream to be on the stage. The stage was wherever I was standing at the time. I was lucky that the department of education in Sydney had a program where you could try out for these ensembles - kind of like extra-curricular sports, but for little drama kids. I got into that system, and it took me right through high school.

If I had the chance to spend a day with Werner Herzog, I would want there to be a canoe involved. I want to be down in Patagonia or something, and kill some kind of wild beast and skin it and gut it and cook it. And then turn its fur into some kind of layer of warmth. And then trek through the hills.

I was always realistic about the fact I wanted to be involved with big films.

The news business is simple but it's not easy to do well. You know the story, you have to cover it, you need pictures, you need good writers, you have to get it to the screen but it's obviously not easy to do well.