I love artists. I love watching other people work.

I think, now, younger generations do take that for granted in a lot of ways. I don't think that takes away from the struggle of identity and what that is. But the struggle for identity is everybody's struggle. No matter what it is.

Even as an actor, I think like a storyteller. My parents raised us to look at the script.

I think, in the initial process of discovering a character and the analytical process - and this is what I did take from Buddhism - initially I think there has to be an analytical, intellectual approach. And that has to be abandoned by the time you're playing the game.

We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.

I have always had a deep belief that every movie, every artistic expression, is political. Don't be fooled. Even ones that we wouldn't consider overtly political are political. When we spend time doing anything, whether it's distraction or whether it's something that we have to face, it is always political. That's my belief.

I'm a harsh critic, you know? I am.