I like the idea of the adventurer's spirit. I think that is very much what a man searches for, in a certain way.

When I look at that now, all I think about is what a master [David Fincher] I was working with, and all of the things I could have watched and learned - and I didn't. And how, now, in my career, how I would love to have a ton of takes.

Peter Sarsgaard, he's an extraordinary actor, and I would say that Peter has really brought into my life and my sister's life a sense of presence as an actor that I never really understood or knew about until I met him. They've been together for a very long time, and he introduced me to the idea of the presentation.

It's amazing how the world has changed because, at that time [2005], a lot of actors didn't want to play a gay role.

I think I'm generally - fear, fear is very still, so in terms of that kind of fear - there's so many different kinds of fear, but fear is something, particularly in movies, that's interesting, because it's created by the film maker, that was created by David Fincher, that's why he's brilliant.

I don't want to be lofty when I say this, but I don't know what a success is any more. I know how we define it, but that was a moment where I went, "Wait, who am I?" You could feel the business, in particular, kind of go "He's all right, let's go over here." I started to go, "Wait, I know why I love to do this." I think I got off track in why I love to do it.

I'm always nervous about it. You know, somehow, without even knowing it, I try and recreate the idea of what it feels like to go in front of an audience every night when I'm making a film. And that similar type of pressure and excitement before a scene, or preparing for a movie, so...