I think, in the initial process of discovering a character and the analytical process - and this is what I did take from Buddhism - initially I think there has to be an analytical, intellectual approach. And that has to be abandoned by the time you're playing the game.

I think that I have done work where I feel like I've challenged myself, and then what's even more confusing is I've done work where I think I've challenged myself and no one's responded to it, and no one's interested in it.

I know exactly what that movie's [Brokeback mountain] about. I can't define it; it doesn't tie up in a perfect bow. But it's about adolescence. It's about what it feels like - this isn't meant as a criticism, but like things I didn't relate to, which were high school movies. Where I'd watch it and I'd be like, "Well, am I like the kid that nobody likes? Or am I like the person who everybody [likes]?" I couldn't [tell]. I was like quantifying, putting me in a box. "This is my personality at that age" and "I'm this kind of person" just felt like bullshit to me.

I have a profound respect for cinematographers. That is my secret sauce. Like they are everything to me.

You run your plays, you know your plays, you study your plays, you study the other team, you do as much as you can, you go to practice, you get in shape, you do what you need to do, and then by the time you get to the game, you know your plays, but they have to feel like they're in your bones. That has to be an unconscious thing, it cannot be conscious. That is everything to me.

I'm at a period in my life when I'm figuring out my idea of who I am and what I want and how to hold onto love -- all that big stuff. And I'm starting to realize that it can happen at any age. I know people who are in their 50s who are figuring out what they want and who they are, and I think it's great. It's like you're always approaching life as a beginner.

I love movies that are saying things that people might find odd at times. I don't find them odd at all. They give me comfort.