Peter Sarsgaard, he's an extraordinary actor, and I would say that Peter has really brought into my life and my sister's life a sense of presence as an actor that I never really understood or knew about until I met him. They've been together for a very long time, and he introduced me to the idea of the presentation.

I don't think I'm sharp enough to not prepare and come on set and kill it.

My mum and dad are pretty amazing chefs and they spent most of my childhood cooking really extravagant things for my sister and me.

We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.

The truth is most of the films that make a lot of money no one remembers, and I'm not interested in making films that no one remembers.

Heath [Ledger] was always somebody who I admired.He was way beyond his years as a human, in a way.

When you have the opportunity to choose projects, inevitably you start being moved towards the things that you're moved by, right? And that changes over time, as we change, right?