Peter Sarsgaard, he's an extraordinary actor, and I would say that Peter has really brought into my life and my sister's life a sense of presence as an actor that I never really understood or knew about until I met him. They've been together for a very long time, and he introduced me to the idea of the presentation.

It's one of the most beautiful scripts [Brokeback Mountain] I've ever read, and it was Ang Lee, and at the time Heath [Ledger] was a friend of mine - before we even shot the movie - and always sort of alluring to me.

I like the conscious manipulation that a great director can have. When you're both complicit in the manipulation of an emotion.

I think that the idea of boundaries is being challenged everywhere. And I think our fascination with sci-fi is that it is a boundary-less world where we can kind of create the reality that we believe to be as opposed to the reality that is. It is about the beyond and the unknown in a different way than pretty much any type of storytelling is.

I'm a very political person, and I make political choices in my movies.

Crazy people don't sit around wondering if they're nuts.

I remember watching Meryl Streep in, The River Wild. There's this scene where she's has a gun pointed at her, it's absurd in a lot of ways. Someone pulls a gun on her I think, I'm not really fully aware of the scene and she just, she starts, you see her terrified. And then all of a sudden she starts to burst out laughing. She starts laughing. Like she can't stop laughing. Because she's terrified and she's emotional and there are no rules to what you're supposed to feel. That to me is like A number one, that's the thing I have to remind myself all the time.