Uta Hagen would say, there's the representational actor and the presentational actor.

I don't have a "I want to play this or that," I just don't have that. I've never been like that.

Masculinity is, nowadays and generationally, confusing. What is honor, what is protection, what is being a man? It's evolving. But I believe having an open heart - and a strong mind to protect that - is the idea.

Ang Lee just allowed me to make what we would call mistakes and had no judgment of them. He also empowered me. You know, he's like, "You're my actor. I chose you. Whatever you do is right." Right? "I made the decision, I'm complicit in choosing you. And I went through everything I could to choose you, so I feel good and whatever you're going to do I'm going to give you this space." And so it was very empowering.

It's daunting trying to do any service as an American to such a beautiful, fluid speech pattern that you [British] all have. We are just barbarians in comparison.

I have always had a deep belief that every movie, every artistic expression, is political. Don't be fooled. Even ones that we wouldn't consider overtly political are political. When we spend time doing anything, whether it's distraction or whether it's something that we have to face, it is always political. That's my belief.

I was trying to figure out where my intellect, if I really have one, where it fit. And so I was searching. I really didn't know who I was or what I really wanted to be, and in that search, like I think you do as an actor, you end up trying to define whatever that is, and I sort of said, "Oh well, searching spiritually in a way is interesting, and Eastern religion seems to be about a search."