I think I find tactile things, you know. Just the feeling of blood itself is enough for me. If you, even if it's not real blood. I mean that's enough, like sometimes there are very simple things that are enough.

We all develop relationships with each other based on our first relationships, and then how we experience them. But inevitably they are echoes of earlier on. In my belief.

To me Donnie Darko was about adolescence. And about how, as soon as you start to grow up and you sort of move out into the world, you realize everything is so trippy. That anything can be anything.

There are a lot of different things that are spinning and connecting when your family sees what you do.

When I was younger, I did work with coach. I went to this place called Actors Space in the Valley. I was pretty young, and we were doing acting and improvisation. But no, no I didn't go to RADA, I didn't do that. But I do now work with an acting coach, primarily for the initial intellectual connection to the material.

I was brought up, and my sister too, with two people who were always saying, "What you do is really nowhere near as important as the things that are going on in the world, and if your work needs to reflect that, or you want it to, then you need to strive for a certain type of excellence."

I also think within the scene, a specific scene - if I were to play a part that I played 10 years ago now, my interpretation of that scene would be totally different. I would be making different choices. Because I can't somehow subtract all of the experiences that I've had in my life. And it's fascinating to see, because somewhere I'm very reflective in that. You know, I've been playing basically actually close to 40 years old, so I'm somewhere lost in age in this movie. But it's been fascinating to see that I can't subtract that time.