In a perfect world, I would love to do one play for every three movies.

We are all from different cultures. Heath's [Ledger] Australian, really. I'm from here. Ang's [Lee] from China. But I think Ang gets very close in preproduction and rehearsals. And then he allows his actors - I don't think scared of actors, but I think he's scared of getting in on the scenes he's watching. The space he's watching. So he just totally disconnects from you while you're shooting.

Theater has given me a different perspective on the way I approach films.

Peter Sarsgaard, he's an extraordinary actor, and I would say that Peter has really brought into my life and my sister's life a sense of presence as an actor that I never really understood or knew about until I met him. They've been together for a very long time, and he introduced me to the idea of the presentation.

Dad, I may not be the best, but I come to believe that I got it in me to be somebody in this world. And it's not because I'm so different from you either. It's because I'm the same. I mean, I can be just as hard-headed, and just as tough. I only hope I can be as good a man as you.

I know exactly what that movie's [Brokeback mountain] about. I can't define it; it doesn't tie up in a perfect bow. But it's about adolescence. It's about what it feels like - this isn't meant as a criticism, but like things I didn't relate to, which were high school movies. Where I'd watch it and I'd be like, "Well, am I like the kid that nobody likes? Or am I like the person who everybody [likes]?" I couldn't [tell]. I was like quantifying, putting me in a box. "This is my personality at that age" and "I'm this kind of person" just felt like bullshit to me.

When I walk into a screening, I'm nervous in a different way than I am as an actor. But the response is ultimately I know how I feel about it and that's what matters to me the most.