They're the darkest people I know, comedians.

I've decided as an actor the only, the power I have really is in the performance. It's the only real place I get to sort of communicate.

I don't think I had any idea at the time how to work with someone as masterful as he is. And I don't think at the time I really understood what was happening. I think I was in a space where I was like: there are all these things. I was shooting all these takes with David, and I was just confused, as a person, and as an actor feeling a little too big for my britches and that this thing was happening and then also not having enough skill yet, and technique to know exactly where I was, and know about the character.

I think I work as hard as I do now, because of a lot of lessons I've learned early on.

When I was younger, I did work with coach. I went to this place called Actors Space in the Valley. I was pretty young, and we were doing acting and improvisation. But no, no I didn't go to RADA, I didn't do that. But I do now work with an acting coach, primarily for the initial intellectual connection to the material.

On a spiritual level, on a place where you want to be a better human being and listen more, I try. I joke, but it has. I mean, I don't consider myself a card-carrying Buddhist, you know. But I do believe deeply in the ideas, and I think anytime you have interest in anything, it somehow humbles you.

I can't not have something attached to like what actually happens in real life. Like I can't do a romantic comedy without there being something where like, in the case of Annie Hathaway's character, her character ends up having Parkinson's, you know? To me, I feel like that's love, you know? Like to me. So every movie has to have that kind of sense of that.