There are a lot of comedic actors who are just out to be the funny one and get all the laughs and they'll sacrifice your joke, the scene, the story just to be the star. All they want is attention and to be number one. You can spot those guys from a mile away and they're the worst.

If I took over the 'Glamour' offices for a day, I would put Joe Pesci on the cover. I would say 'We've got to change all these magazines a little bit. We have to bring out a different version of what is, like, cool. You know, what's winning. Joe Pesci, Burt Reynolds.

I would want to go to the future, 25 years in the future, and see if the Cubs ever win a World Series.

I'm not a guy who sees the desire to transform with each part; I'm not a piece of clay.

I aspired to be a writer and then I just started getting acting work. I really didn't have a direct goal, I just knew I wanted to be in this industry telling stories and doing this for a job. I thought my path was going to be as a writer, but I'm pretty happy doing it as an actor.

I think a lot of people are very good, but I don't think anybody could do my rhythm. I was thinking, "If you want my rhythm" - and when I was writing, I was writing them for myself - "why am I watching another actor doing what I should be doing?" It was just a really unpleasant experience.

Sometimes, when you work with directors who have done it a lot and are established in the business and know the game, there are all these rules that they have. First-time directors will allow you to come in with choices. They're not so jaded by actors that they're like, 'Ugh, just do your job, man.