If I'm not directing it, I need to be right in the director's ear so we can be talking about this." You do something like use the wrong music, the tone's off, and everything feels off". And I was like, "I'm not going down with this one. I wrote it, but I don't like that play." Then I thought, "Well, no one's producing my stuff, letting me star in it, and direct it at these theaters, so I'll just do them in comedy clubs."

I prefer to work with first-time directors.

My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.

I view cats as more like wild animals. We feed it, but a lot of times it's not eating the food because it's murdering other animals outside and eating their meat.

The craziest thing about TV directing is I turned in a version, and then they made their final changes - so I don't know what they are. So I'm like, "Ooo, I'm dying to see the final print."

If I'm in a bar and I gotta be sitting next to some clown who's like, "It's my tune," I don't want to hear you belt out Bruce Springsteen. That's why we have jukeboxes! Let's let Bruce be Bruce.

It's a really weird feeling when you write something and you really know it and then you watch actors come in and do it.