The majority of the people I've taken photographs of, I've had conversations with. "What are your goals and aspirations?" "What are you about?" It's not just about me capturing the image; I want to know what you are about.

The photograph is to a great degree evidence of the conversation I had with the person. It's a part of my visual diary.

I think that photography has allowed me to have a voice. I used to stutter, and once I overcame that struggle, it felt good to tell people they were beautiful and special.

I think that's what the war photography did for me. It showed me the human side of people and how certain circumstances can change people's lives.

There is just something about the common being. My education pretty much came from the streets, just connecting with people, different cultures. I gained the wealth just engaging at that level. I'm still like that. I continue to document everyday people versus the stars.

Philip Jones Griffith documented the Vietnam War, and through his images that were published in Time Life Magazine, it showed me the horrors of war and at that time, I wanted to be a war photographer, based off his work.

I think what it was with the war photography was the concerned eye, the desire to document these situations to show the world the horrors of war. It inspired me to document prostitution; inspired me to document homelessness in America. We are the richest country in the world, yet we have people suffering, so it helped me to look at things in that manner.