A mother never realizes that her children are no longer children.

The goal is the same: life itself; and the price is the same; life itself.

The camera seems to me, next to unassisted and weaponless consciousness, the central instrument of our time.

The artist's task is not to alter the world as the eye sees it into a world of aesthetic reality, but to perceive the aesthetic reality within the actual reality. (On photographs by Helen Levitt)

It's kind of a test, Mary, and it's the only kind that amounts to anything. When something rotten like this happens, then you have your choice. You start to really be alive, or you start to die. That's all.

And no matter what, there's not one thing in this world *or* the next that we can do or hope or guess at or wish or pray that can change it or help it one iota. Because whatever is, is. That's all. And all there is now is to be ready for it, strong enough for it, whatever it may be. That's all. That's all that matters. It's all that matters because it's all that's possible.

For in the immediate world, everything is to be discerned, for him who can discern it, and central and simply, without either dissection into science, or digestion into art, but with the whole of consciousness, seeking to perceive it as it stands: so that the aspect of a street in sunlight can roar in the heart of itself as a symphony, perhaps as no symphony can: and all of consciousness is shifted from the imagined, the revisive, to the effort to perceive simply the cruel radiation of what is.