Speaking of childhood fantasy, we were doing a Western, but we were also just hanging out. You work, and you ride and ride and ride, and then, for the next two hours, you look for a place to kick out, in this amazing canyon with so much heritage and so much history.

I grew up in a crazy, gypsy-like household of actors, dancers and loony Broadway people. It was their way of life, and I didn't know anything else.

Not every conspiracy is a theory.

You want to work with good people. When you're working with good people, it frees you up. There's nothing worse, as an actor, to show up and then feel like you have to protect yourself somehow because you don't feel like you're in good hands.

I've always thought that I'm kind of a cross between a young Bill Clinton and Lyle Lovett. And I just want to say I'm proud of that. Those are two good looking guys.

You spend all this time, as a child, coming up with these fantasy stories, and here I am, sleeping in a treehouse, in the middle of Canyon de Chelly, shooting a Western. That's a bit of a once-in-a-lifetime experience.

I can't go to the hardware store, cut a sheet in half and staple it to the window anymore. It doesn't fly.