Speaking of childhood fantasy, we were doing a Western, but we were also just hanging out. You work, and you ride and ride and ride, and then, for the next two hours, you look for a place to kick out, in this amazing canyon with so much heritage and so much history.

We're just one cog in this giant machine. You show up and look at all the other cogs like, "Wow, everyone is the best at what they do." You're in really good hands. And that frees you up to play and feel safe, and you can take chances, creatively. You can take risks. I want to show up to work and take risks. I don't ever want to play it safe.

You spend all this time, as a child, coming up with these fantasy stories, and here I am, sleeping in a treehouse, in the middle of Canyon de Chelly, shooting a Western. That's a bit of a once-in-a-lifetime experience.

Not every conspiracy is a theory.

I grew up in a family of actors. I grew up onstage. The choice for me wasn't, 'Do I want to be an actor or not?' I always felt like that's just ingrained in you, the need to perform. The choice was, 'Do you want to do this professionally or not?

You want to work with good people. When you're working with good people, it frees you up. There's nothing worse, as an actor, to show up and then feel like you have to protect yourself somehow because you don't feel like you're in good hands.

I think pressure when you work is good. It forces you to take risks and to do other things.