The physicality was important to me. Because the film has Shane Black's dialogue, and [Robert] Downey's delivery, and you look at [Jon] Favreau, Don Cheadle and Gwyneth [Paltrow], it is this heightened level with a comedic aspect to it. Everything is grounded in reality, but it plays a little heightened.

I found a treehouse. I found this weird tree, out in a field, and someone had put a piece of a fence, way up in a tree. I just went up there and went to sleep for a few hours, in full cowboy regalia. And someone did take a photo. I have a photo of it, somewhere. It brought me back to when I was 12 years old, sitting in a treehouse and imagining that I was in a Western somewhere.

Marvel is very secretive, so there was no script. About six months before production, they gave me some pages and it was from a cop movie. And then, six months later, I got a phone call saying, "Do you want to come do this?" [iron Man]

Speaking of childhood fantasy, we were doing a Western, but we were also just hanging out. You work, and you ride and ride and ride, and then, for the next two hours, you look for a place to kick out, in this amazing canyon with so much heritage and so much history.

I think pressure when you work is good. It forces you to take risks and to do other things.

I was really lucky that, through my 20s, I got to work with some amazing people, and I tried to sit back and watch and learn.

I've been trying to figure out what moment The Lone Ranger came into our lives. We've always just known about The Lone Ranger. It's common knowledge. I don't ever remember watching the television show.