The hats are tough. I've got a weird head, so believe me, there were a lot of hats. Penny [Rose], our costume designer, who I knew from other jobs said, "Badge, that looks terrible on you. Hold on. No, we can't do that one."

These stunt guys are good at what they do and they're professional. A smart actor will step back and say, "I'm going to let the professionals do this." Hats off to those guys, man. When you see the credits scroll, look at all those stunt guys and remember all those names 'cause they earned their money on this.

I can't go to the hardware store, cut a sheet in half and staple it to the window anymore. It doesn't fly.

I've always thought that I'm kind of a cross between a young Bill Clinton and Lyle Lovett. And I just want to say I'm proud of that. Those are two good looking guys.

I've been trying to figure out what moment The Lone Ranger came into our lives. We've always just known about The Lone Ranger. It's common knowledge. I don't ever remember watching the television show.

You spend all this time, as a child, coming up with these fantasy stories, and here I am, sleeping in a treehouse, in the middle of Canyon de Chelly, shooting a Western. That's a bit of a once-in-a-lifetime experience.

I'm a pretty private person, so I'd like to say I'm a good ear and that I keep my mouth shut.