The hats are tough. I've got a weird head, so believe me, there were a lot of hats. Penny [Rose], our costume designer, who I knew from other jobs said, "Badge, that looks terrible on you. Hold on. No, we can't do that one."

I don't know why I just remembered this, and I haven't told anybody this, but we were shooting in Canyon de Chelly and we were so far up the canyon. Once we were up there, we were up there. There was no going back to your trailers.

en you show up to work and put on your undergarments, throw on your suspenders and your cowboy boots, throw some dirt on you, and then get on your spurs, you start to walk a bit different. When you put on your gun belts, you change again. You go through this whole transformation process. All that stuff changes you. Riding a horse changes the way you walk and your demeanor.

I think pressure when you work is good. It forces you to take risks and to do other things.

The physicality was important to me. Because the film has Shane Black's dialogue, and [Robert] Downey's delivery, and you look at [Jon] Favreau, Don Cheadle and Gwyneth [Paltrow], it is this heightened level with a comedic aspect to it. Everything is grounded in reality, but it plays a little heightened.

I'm a pretty private person, so I'd like to say I'm a good ear and that I keep my mouth shut.

It was dangerous stuff. We were running on top of moving trains. We got to do amazing things. I like doing stuff like that. I enjoy it. But believe me, there were things that were so dangerous that I wasn't touching them.