I think pressure when you work is good. It forces you to take risks and to do other things.

I can't go to the hardware store, cut a sheet in half and staple it to the window anymore. It doesn't fly.

I don't know why I just remembered this, and I haven't told anybody this, but we were shooting in Canyon de Chelly and we were so far up the canyon. Once we were up there, we were up there. There was no going back to your trailers.

The physicality was important to me. Because the film has Shane Black's dialogue, and [Robert] Downey's delivery, and you look at [Jon] Favreau, Don Cheadle and Gwyneth [Paltrow], it is this heightened level with a comedic aspect to it. Everything is grounded in reality, but it plays a little heightened.

You want to work with good people. When you're working with good people, it frees you up. There's nothing worse, as an actor, to show up and then feel like you have to protect yourself somehow because you don't feel like you're in good hands.

I'm a little bit superstitious, and I think that just comes from playing hockey. I won't avoid the number thirteen. A big one for me, though, is walking under a ladder. I've always felt like that's tempting fate. That's just throwing it right in their face. Check me out. I just walked under a ladder. What are you going to do about it?

These stunt guys are good at what they do and they're professional. A smart actor will step back and say, "I'm going to let the professionals do this." Hats off to those guys, man. When you see the credits scroll, look at all those stunt guys and remember all those names 'cause they earned their money on this.