I never talk about filming until I'm actually on the set and I've got the job, because otherwise - "Oh yeah, I'm going to be so busy," and then you're going to see me in McDonald's in two months.

Belief is everything when you're performing something. If you don't have the belief behind it, then that actually puts a shunt on the character. It's like, "Does the character believe this for a minute?"

Jokes are very curious things psychologically.

I did worry about being in a science-fiction show. The bits that I was reading, I felt were funny, and I felt the man was childish, so I really did ask initially, "Is this for kids?" And the thing that came back immediately was like, "Hey, take a look at this whole thing again. This is definitely not for children. How can you think that?"

What would I like? Some very silly comedy where I don't have to think about anything, but it could be a lot of fun. And if it's not that, then I'll want to be involved in something where it's like, you're really dredged up to the neck in emotion, where it's as exciting as the premise of Battlestar.

I've got to take a bit of a break from science fiction. As much as I've loved this stuff, I'm ready for a different century or a different time period as an actor, as an individual. Something that's, what's the word, something that's not involved with spaceships.

I went to Los Angeles, because I have a manager, and - I can't remember when, but we met in London maybe six months or a year beforehand, and he said, "Listen, if you really want to get a job out of L.A., you really need to come." And I was like, "Well, can't I send a tape or something?" And he was like, "No, no, you need to come."