Here's my philosophy in life: If there's a fire, you put it out. If there's a flood, you fill sandbags and you build a dike. You roll up your sleeves and you get to work.

I want to challenge all of you as people of deep conscience, people who are environment stewards of the earth and oceans ... By changing what you eat, you will change the entire contract between the human species and the natural world.

Jack: Rose! You're so stupid. Why did you do that, huh? You're so stupid, Rose. Why did you do that? Why? Rose: You jump, I jump, right? Jack: Right. Rose: Oh God! I couldn't go. I couldn't go, Jack. Jack: It's all right. We'll think of something. Rose: At least I'm with you.

I've sworn off agnosticism, which I now call cowardly atheism. I've come to the position that in the complete absence of any supporting data whatsover for the persistence of the individual in some spiritual form, it is necessary to operate under the provisional conclusion that there is no afterlife and then be ready to amend that if I find out otherwise.

It took me a long time to realize that you have to have a bit of an interlanguage with actors. You have to give them something that they can act with.

But failure has to be an option in art and in exploration - because it's a leap of faith. And no important endeavor that required innovation was done without risk. You have to be willing to take those risks.

If it was up to the studio, everything would be shot with a camcorder.