I don't want to recover from writing this book [The Onion]. I feel very poised. I feel like I'm with my mother for the first time ever. I feel like I've confronted her, and the confrontation goes on.

I am conservative by temperament. I disapprove of criminal activity. I am very solidly and markedly on the side of authority. The truth is I would rather err on the side of too much authority than too little.

I like to be alone so I can write. But focus can hurt you. I don't want to be some stress casualty in early middle age.

Some people don’t respond to civility.

Tell me anything. Tell me everything. Revoke our time apart. Love me fierce in danger.

The 250-page outline for American Tabloid. The books are so dense. They're so complex, you cannot write like I write off the top of your head. It's the combination of that meticulousness and the power of the prose and, I think, the depth of the characterizations and the risks that I've taken with language that give the books their clout. And that's where I get pissed off at a lot of my younger readers.

She quoted a dead playwright and called me a bullet with nothing but a future. She understood my lack of self-pity. She knew why I despised everything that might restrict my forward momentum. She knew that bullets have no conscience. They speed past things and miss their marks as often as they hit them.