And the only forms of socialism in the world that were then getting results - malign ones, as it was - were the Fascist and Soviet republics. Fascism is a form of socialism - you rebuild the country, you find a scapegoat, and you go from there.

Noir is dead for me because historically, I think it's a simple view. I've taken it as far as it can go. I think I've expanded on it a great deal, taken it further than any other American novelist.

History is a state of yearning. I yearn for Kay Lake throughout this entire thing. There's an essay I've written where I talked about living in the past. There's a whole motif in the book of then and now. And I lived there.

As much as I transferred my mother to Elizabeth Shore of The Black Dahlia, as much as her dad mutated into an obsession with crime in general, well, I have thought about other things throughout the years.

I always cringe when a male friend of mine, who's very fixated on women, puts "compatibility" at the top of his list of attributes that he would be looking for in a woman. I would replace compatibility with dialectic.

I drank, I used drugs, I broke into houses, sniffed women's undergarments. I ate Benzedrex inhalers, jacked off for 18 hours at a pop, lived with my dad in a shitpad.

I wanted to portray a newly democratized, enclosed society. I wanted to show how extraordinarily fluid people are in their embrace of other human beings.