Bruges is a beautiful medieval city almost untouched by time. If you like jazz, you will be well catered for. If you like chocolate and beer, you will be in heaven.

The problem with trying to make a film good and have it work for an audience is the problem of trying to tell a story well. The shape or the color of it doesn't matter.

You know, what I didn't know was how many people in the tech world the original movie had such an impression on. That's really interesting to me because a lot of the people who created this technological revolution that we're all living through were kids when Tron came out, and they saw Tron and it impacted them.

Working with CGI is more like doing theater where your sort of imagining things. I didn't experience it as restrictive.

And sometimes it's fun to be the guy who just really enjoys it, like the guy I'm playing now on The Cape. He's more that. He's much more flashy and debonaire and devil may care-ish. He just loves doing bad in the world. That's real fun to do.

I would want to keep that in a little glass sphere, perhaps in the corner of my living room, lit up. But, I think that's an extremely expensive rig. The costumes were crazy expensive, beyond anything they could afford to give you, to take away. They're going to be in a museum of some kind, on display until they get the go for Tron: Legacy 2. It would have been awesome to keep, though. I don't think there was anything that they could afford to let go. I probably would have been arrested.

Every project has its things to be overcome, but I didn't find that there was anything particularly impossible about what we were doing - it was all quite exciting.