It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.

I think the worst atmosphere for a six-year-old is one in which there are no expectations whatsoever. That is, it's worse for the child to grow up in a vacuum where "whatever you do is alright, I'm sure you'll succeed." That is a statement of disinterest. It says, "I really have no fantasies for you at all."

Rather let us imagine the anima mundi as that particular soul-spark, that seminal image, which offers itself through each thing in its visible form. Then anima mundi indicates the animated possibilities presented by each new event as it is, its sensuous presentation as a face bespeaking its interior image - in short, its availability to imagination, its presence as psychic reality. Not only animals and plants ensouled as in the Romantic vision, but soul is given with each thing, God-given things of nature and man-made things of the street.

It is impossible to see the angel unless you first have a notion of it.

We approach people the same way we approach our cars. We take the poor kid to a doctor and ask, "What's wrong with him, how much will it cost, and when can I pick him up?"

To see the angel in the malady requires an eye for the invisible, a certain blinding of one eye and an opening of the other to elsewhere.

Depression opens the door to beauty of some kind.