There is not going to be a "hydrogen economy," and no combination of alternative energy systems or fuels will allow us to continue the suburban pattern. It's finished. We will, however, desperately need to grow more of our food closer to home, and so the preservation of agricultural hinterlands is of great importance. But don't expect the fiesta of suburban construction to continue more than a few more years.

I am far less interested in serving as a change agent than in functioning as a prose artist, whether it's fiction or nonfiction.

The public realm in America has two roles: it is the dwelling place of our civilization and our civic life, and it is the physical manifestation of the common good. When you degrade the public realm, you will automatically degrade the quality of your civic life and the character of all the enactments of your public life and communal life that take place there.

I believe our techno-zealotry will be moderated by sheer circumstance. We will do what reality compels us to do, not necessarily what our fantasies propose.

Building places that are worth living in and worth caring about require a certain attention to detail, and of a particular kind of detail that we have forgotten how to design and assemble. And that involves the relationship of the buildings to each other, the relationship of the buildings to the public space, which in America, comes mostly in the form of the street. Because it's only the exceptional places in America that have the village square or the New England green. You know. The street is mostly the public realm of America. And we have to design these things so that they reward us.

We have to grow our food differently because industrial farming will soon end. That means growing more food locally on smaller farms with more human attention.

Painting allows me to use other portions of my brain pleasurably. Irony plays no part in what or how I paint. I paint the particular subject matter not to make polemical points but because I am interested in the human imprint on the landscape. I paint the landscape of my time and place with the stuff in it.