James Joyce Quotes

Then Nuvoletta reflected for the last time in her little long life and she made up all her myriads of drifting minds in one. She cancelled all her engauzements. She climbed over the bannistars; she gave a childy cloudy cry: Nuee! Nuee! A lightdress fluttered. She was gone. And into the river that had been a stream . . . there fell a tear, a singult tear, the loveliest of all tears . . . for it was a leaptear. But the river tripped on her by and by, lapping as though her heart was brook: Why, why, why! Weh, O weh! I'se so silly to be flowing but I no canna stay!

The personality of the artist, at first a cry or a cadence or a mood and then a fluid, and lambent narrative, finally refines itself out of existence, impersonalises itself, so to speak. The aesthetic image in the dramatic form is life purified in and reprojected from the human imagination. The mystery of aesthetic like that of material creation is accomplished. The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

I am quite content to go down to posterity as a scissors and paste man for that seems to me a harsh but not unjust description

He asked himself what is a woman standing on the stairs in the shadow, listening to distant music, a symbol of. If he were a painter he would paint her in that attitude. Her blue felt hat would show off the bronze of her hair against the darkness and the dark panels of her skirt would show off the light ones. Distant Music he would call the picture if he were a painter.

Lord, heap miseries upon us yet entwine our arts with laughters low.