I think the "crime novel" has replaced the sociological novel of the 1930s. I think the progenitor of that tradition is James M. Cain, who in my view is the most neglected writer in American literature.

To misuse one's talent, to be cavalier about it, to set it aside because of fear or sloth is unpardonable.

Today, there are more opportunities for writers in terms of access to larger success, but it's more difficult to publish a literary novel in the lower ranges. In other words, you almost have to hit a home run. You can hit a triple, maybe, but nobody's interested in a single.

The real gladiators of the world are so humble in their origins and unremarkable in appearance that when we stand next to them in a grocery-store line, we never guess how brightly their souls can burn in the dark.

Write for the love of your art. Someplace down the road, the money, the fame, they'll come, but by that time you won't be thinking in terms of money or fame.

But perhaps age has taught me that the earth is still new, molten at the core and still forming, that black leaves in the winter forest will crawl with life in the spring, that our story is ongoing and it is indeed a crime to allow the heart's energies to dissipate with the fading of light on the horizon.

I sometimes subscribe to the belief that all historical events occur simultaneously, like a dream in the mind of God. Perhaps it is only man who views time sequentially and tries to impose a solar calendar upon it. What if other people, both dead and unborn, are living out their lives in the same space we occupy, without our knowledge or consent?" The Glass Rainbow, p. 138