The one aspect I do love about digital is I love to push performance and I love to roll and roll and keep doing takes in a single performance.

Having the kind of infinite loop of what a digital stream is - you can shoot for a long time without cutting - allows me to sometimes perform really exciting things.

What I'm really focused on is the majesty of the best films I see are films that don't panhandle for an extra laugh later, but actually deliver the goods. And when the screen goes black, you go, Yes.

We're all going to hell for the songs we sing.

My own sense and taste in 3D films has been I don't really like it when it feels like it's a gimmick and it's coming at me, it's flying at me.

The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.

Movies aren't just supposed to be a representation of reality. They're supposed to be an art.