What I'm really focused on is the majesty of the best films I see are films that don't panhandle for an extra laugh later, but actually deliver the goods. And when the screen goes black, you go, Yes.

If you respect the events and respect the real life tragedy, you can drive your film to address it in some mature way.

We should be writing more great roles for women, period. Another problem is that movies are generally made for 14-year-old boys, and 14-year-old boys want to watch 25-year-old action heroes.

Having the kind of infinite loop of what a digital stream is - you can shoot for a long time without cutting - allows me to sometimes perform really exciting things.

Movies aren't just supposed to be a representation of reality. They're supposed to be an art.

The funny thing about me is I move from genre to genre, but I essentially shoot all the movies the same way.

I love comic books. Since I was a kid, I've collected them.