I think a lot of the history we've read up to this point, some of it is just off. It's written with the same prejudice that certain networks have when they report the news of the day.

If you have the material it will form itself as a kind of connective tissue.

People don't realize you're blowing over changes, time changes, harmony, different keys. I mark a point in my solo where it's got to peak at point D I go to A, B, C D then I'm home.

I'm not interested in food. It's just fuel.

I grew up in the church, and so I feel that God gave me certain things to do, and I'm lucky enough to kind of have figured those things out. I just don't want to die not having tried to help somebody else with what I know.

As a journalist, I never critiqued anyone. I never review books. I've never felt qualified as a musician to say whether someone is a good musician or a bad musician. What happens with Black writers and Black artists is that if you're critiqued, for example, by a Black historian who wants to get his name on the cover of "The New York Times," and he says something, like, wacky, well, he'll get his name on the cover of "The New York Times" and he might get tenure, and your career suffers.

My family is my career.