I love performing. There is an ego in me that loves to be in front of people.

When you see big people, they expect them to wobble or something. The whole feeling of bigger people in this country is so negative. This works for me.

I keep "leave me alone, I'm busy " pretending to work sign with me because my dad once told me to find a job that you would do for free and I would do this job for free. But I would be a performer for free because that's all I've ever loved to do. I've worked so hard to get to the point where work doesn't feel like work. So when I come to work, I'm actually coming to play - I'm coming to recess. So, when you see me, leave me alone, I'm busy ... pretending to work.

I am still nervous every show. Not in the "Wow, I'm scared, I can't go on nervous," but the "I really want to do a good job and the give the audience a great show" kind of nervous. Oh, yes, the nerves are there, but I let them push me instead of holding me back.

I love to make people laugh and love to make people smile. The first time I performed and heard the applause, that was the sound that I wanted to hear for the rest of my life.

One of the great things about this genie [from Aladdin] is that when Robin Williams created him, and they created this after him, they were allowed to go crazy and when they had to go find someone to play the role live, they had to find someone who was nutty enough to go in different directions.

I remembered getting the script for the auditions [of Aladdin], I had asked someone there if improvs were allowed, and he said everyone is sticking to the script. I said to myself that they are either going to love me or hate me. I was crossing out lines and throwing in my own lines. I went into the room and started doing things. They were like, "This boy is nuts! We should keep him." That's how it all came about.