None of the editors I've worked with have ever asked me to pull my punches. They've never asked me to give them anything other than my own interpretation of events.

I used to call myself a war photographer. Now I consider myself as an antiwar photographer.

Photojournalists know the horrors of war can only be exposed at close range. Kodak Film.

If there is something occurring that is so bad that it could be considered a crime against humanity, it has to be transmitted with anguish, with pain, and create an impact in people - upset them, shake them up, wake them out of their everyday routine.

If you make an honest picture of war, it will be an antiwar photograph.

I try to use whatever I know about photography to be of service to the people I'm photographing.

For me, the strength of photography lies in its ability to evoke humanity. If war is an attempt to negate humanity, then photography can be perceived as the opposite of war.