My favorite books are actually very complicated - 'One Hundred Years of Solitude', 'Ulysses'.

If it's commercial fiction that you want to write, it's story, story, story. You've got to get a story where if you tell it to somebody in a paragraph, they'll go, "Tell me more." And then when you start to write it, they continue to want to read more. And if you don't, it won't work.

Some poeple just don't have what it takes to appreciate a cookie.

No one looks like Fang-dark and still and dangerous, like he's daring you to set him off. But I'd seen him rocking Angel when she'd hurt herself; I'd seen him smile in his sleep; I'd seen the deep, darkl ight in his eyes as he leaned over me... ~Max; "Max"; page 24

The subject for a lot of non-fiction is very emotional, but if you read it, it's the most boring, dry stuff. I wanted 'Torn Apart' to be extremely accessible and readable.

Yeah, and so Max and Dylan are supposed to, like, go to Germany and have kids together," I heard Gazzy say. My eyes popped open and I bolted upright. "What?" Fang said, his voice icy. "Gazzy!" I yelled. Wide blue eyes looked at me in surprise, then back at Fang's stoic face. "Oh. Was I not supposed to say anything?" Gazzy asked.

I love movies and I like a lot of good television. At the end of the project, I don't care if they changed [it from the book], I just want to look at it and go, "I loved that. That really turned out well."