I treat every show, every production, like its own individual human organism that's grown up in a certain way, and they all have crazy habits and do different things.

I treat every show, every production, like its own individual human organism that's grown up in a certain way, and they all have crazy habits and do different things.

In New York, it's a little bit more formal, a little bit more decorated, and there's a real appreciation for traditional style. Out here, it's casual, fresh, new, and almost humble.

I think unscripted variety television may or may not get a bad rap now, but it is a fabulous environment. It is exactly who I am, and there's so much creativity there to express.

Budget affects everything.

If you can give your walls history, it supports the action that's happening in front of them.

If the person or artist doesn't touch it, and if the camera stays relatively far away from it, it doesn't really have to be real.