What I think is great about Pippin, specifically, and I wouldn't make this generalization about all musicals, is that it is about how we tell stories and the way stories are very subjective. How we tell some things and leave other things out in the way The Princess Bride is or The Wizard of Oz is, which both have a framing device.

I don't think in terms of what's going to be successful. I have plenty of friends who make very small movies and friends who make giant, $150 million blockbusters, and the thing that I really admire is, the ones who do it well do it very sincerely.

I've heard a lot of variation of similar questions, but it's interesting to see the variations of audiences and how different people respond, so I think it's all valid. I don't take it personally at this point, which I probably would have at Sundance. But it's really thrilling.

And don't rush to make movies. Movies should be made when they're absolutely ready. There's too many bad movies being made.

A lot of things, whether it's Brexit, the U.S. election, things that are happening on Facebook Live, the way that Twitter in many cases was weaponized, obviously for good but then obviously for bad, for proxy. Governments who use it to troll and give voice to conspiracy theories, white supremacists, et cetera. I think that's not going away.

Blade Runner's just a noir at the end of the day. Rosemary's Baby is about the fear of having a child and how that gets in the way of a romantic relationship. Or whatever it is, and you add that extra element that blows your mind apart.

Making movies is really hard, and it can be humbling. And once you put them out into the world, you can't control how people will respond to it.