I like when you feel like you arrive in a very different place, with a different ordering of the reality you normally think of.

I've always felt that night doesn't fall. Night rises. There are these incidences in flying where you just sit there. It's one of the best seats in the house.

I want to create an atmosphere that can be consciously plumbed with seeing, like the wordless thought that comes from looking in a fire.

Science strives for answers, but art is happy with a good question.

Remember technology does not make good work. You can still write a poem on a brown paper bag, and haiku is just as profound as the pyramids.

To have a certain new eight-and-a-hal f-minute-old light from the sun-to feel it physically, almost as we taste things-this is where you can work with light like that.

I make spaces that apprehend light for our perception, and in some ways gather it, or seem to hold it...my work is more about your seeing than it is about my seeing, although it is a product of my seeing.