It was important that people come to value light as we value gold, silver, paintings, objects.

It is interesting to work in Las Vegas. I've always thought of Las Vegas as Los Angeles on its day off. There's not any hierarchy of taste, and that's what L.A. always was to me: It's not really a town of culture, it's a town of entertainment.

I like when you feel like you arrive in a very different place, with a different ordering of the reality you normally think of.

I am not an Earth artist, I'm totally involved in the sky.

I wanted the light to be the revelation. It has to do with what we value. I want people to treasure light.

I make spaces that apprehend light for our perception, and in some ways gather it, or seem to hold it...my work is more about your seeing than it is about my seeing, although it is a product of my seeing.

The sky is no longer out there, but it is right on the edge of the space you are in. The sense of colour is generated inside you. If you then go outside you will see a different coloured sky. You colour the sky.