My work is about your seeing. There is a rich tradition in painting of work about light, but it is not light -- it is the record of seeing. My material is light, and it is responsive to your seeing.

[My work] is using light as a material to influence or affect the medium of perception. I feel that I want to use light as this wonderful and magic elixir that we drink as Vitamin D through the skin - and I mean, we are literally light-eaters - to then affect the way that we see.

My desire is to set up a situation to which I take you and let you see. It becomes your experience.

We create the reality in which we live.

We live within this reality we create, and we're quite unaware of how we create the reality. So the work is often a general koan into how we go about forming this world in which we live, in particular with seeing.

Space has a way of looking. It seems like it has a presence of vision. When you come into it, it is there, it’s been waiting for you.

It was important that people come to value light as we value gold, silver, paintings, objects.