I think the financial restraint really pushes me as a director to be more creative with the way I shoot the film.

I always believe your instinct is the most correct instinct.

I don't like talking about sequels or spinoffs or franchise until they actually happen, until they actually work with the audience.

I realized that my camera work could help me in a lot of ways to put the audience in the driver's seat, so to speak, to get them in there with the action, and to get them as close and be as intimate with what was going on on-screen as possible.

I always try to better myself with every movie I make. I don't take anything sitting back and so I try to learn from every film I make and carry that onto the next movie because I think it's important as a filmmaker to keep growing with each film and I think I am growing with each movie. And I think it's important because you need to strive to better yourself.

Designing the technical aspects of my camera movement for me is very important. I want the camera to be a big part in telling the story as well, like what I really believe in with all the films I make.

There's really no reason to rehash something that you've already seen.