I've always stayed on the periphery of things. When I used to go to the punk clubs and things like that, I was never up front. I always wanted to be in the back, or on the side, because I wanted to get the whole view, rather than be staring up at someone's nostrils.

High expectations weren't nurtured in my neck of nowhere back then - children weren't fawned over from an early age as 'gifted' and groomed for a prizewinning future; self-esteem was considered something you had to pick from the garden yourself.

Slashing its way to the finish line, Black Swan is the first ballet movie for highbrow horror fans for whom ballet itself signifies little to nothing. Those of us who know and love ballet can only look on it with a different kind of horror.

People want somebody to be a daredevil, even if they're not going to be a daredevil themselves.

Since I'm a fan of collections and anthologies, believe that the best writing often shines in shards and galloping stretches, I never find myself lobbying for a writer I enjoy reading regularly to hole up in Heidegger's hut for four or five years to bring forth a mountain.

I root for hurricanes. When, courtesy of the Weather Channel, I see one forming in the ocean off the coast of Africa, I find myself longing for it to become big and strong--Mother Nature's fist of fury, Gaia's stern rebuke. Considering the havoc mankind has wreaked upon nature with deforesting, stripmining, and the destruction of animal habitat, it only seems fair that nature get some of its own back and teach us that there are forces greater than our own.

Popular culture no longer craves archangels and new dawns. Pop culture traffics in vampires and deads of night.