A new political-entertainment class has moved into the noisy void once occupied by the sage pontiffs of yore, a class just as polarized as our partisan divide: one side holding up a fun-house mirror to folly, the other side reveling in its own warped reflection.
James WolcottThe whole ecosystem of celebrity has broken down for writers. If you go back to the '50s, '60s, and '70s, writers were on TV a lot, and they were allowed to misbehave a lot. Truman Capote was a pop figure, but it wasn't until he went on David Susskind's show and had that extraordinary voice and manner that everyone could imitate, that he really took off as a figure. Norman Mailer and Vidal, the same thing. The bestselling writers now, there's no great animal energy with them.
James WolcottThe Internet and blogging made writing somewhat more solitary and more splintered. It removes the whole sense of the magazine as an organism. A certain dynamism. At The Village Voice, there were all these fevers inside the offices, that would break out into full-scale rumbles between writers. The New Yorker used to be notorious for everything that went on, sexual intrigues and people had individual offices, they could close the door and take a bottle out of their bottom drawer or have sex on their desk.
James WolcottWhat had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.'
James Wolcott