I know well the delectable thrill of moving into a new house somewhere altogether else, in somebody else’s county, where the climate is different, the food is different, the light is different, where the mundane preoccupations of life at home don’t seem to apply and it is even fun to go shopping.

Indians love to reduce the prosaic to the mystic.

There are only two rules. One is E. M. Forster's guide to Alexandria; the best way to know Alexandria is to wander aimlessly. The second is from the Psalms; grin like a dog and run about through the city.

I am when the Chinese, who know everything, build a house, they consult the precepts of an ancient science, Feng Shui, which tells them exactly how, when, and where the work must be done, and so brings good fortune to the home forever.

Venice is a cheek-by-jowl, back-of-the-hand, under-the-counter, higgledy-piggledy, anecdotal city, and she is rich in piquant wrinkled things, like an assortment of bric-a-brac in the house of a wayward connoisseur, or parasites on an oyster-shell.

Travel, which was once either a necessity or an adventure, has become very largely a commodity, and from all sides we are persuaded into thinking that it is a social requirement, too.

Worldwide travel is not compulsory. Great minds have been fostered entirely by staying close to home. Moses never got further than the Promised Land. Da Vinci and Beethoven never left Europe. Shakespeare hardly went anywhere at all-certainly not to Elsinore or the coast of Bohemia.