It was an American who said that while a Frenchman's truth was akin to a straight line, a Welshman's truth was more in the nature of a curve, and it is a fact that Welsh affairs are entangled always in parabola, double-meaning and implication. This makes for a web-like interest.

I know well the delectable thrill of moving into a new house somewhere altogether else, in somebody else’s county, where the climate is different, the food is different, the light is different, where the mundane preoccupations of life at home don’t seem to apply and it is even fun to go shopping.

There are only two rules. One is E. M. Forster's guide to Alexandria; the best way to know Alexandria is to wander aimlessly. The second is from the Psalms; grin like a dog and run about through the city.

Venice is a cheek-by-jowl, back-of-the-hand, under-the-counter, higgledy-piggledy, anecdotal city, and she is rich in piquant wrinkled things, like an assortment of bric-a-brac in the house of a wayward connoisseur, or parasites on an oyster-shell.

Movement was the essence of Manhattan. It had always been so, and now its sense of flow, energy, openness, elasticity as Charles Dickens had called it, was headier than ever. Half the city’s skill and aspirations seemed to go into the propagation of motion.

if there is one place in the United States where private styles make up for public images, it is San Francisco, where all lapsed lovers of America, even loyalists like me experiencing spasms of disillusionment, should be taken for refresher courses. The tides of all-American conformity beat vainly against the San Franciscan rock.

Buildings are seldom just buildings in downtown Chicago, they are Examples, and not a city on Earth, I swear, is as knowledgeably preoccupied with architectural meaning. Where else would a department store include in its advertisements the name of the architect who created it, or a newspaper property section throw in a scholarly exposition of theoretical design?