We had a wonderful department that scouted out new music. It was beneficial to Rolling Stone, because I would come back and say, "You have to hear this, you have to hear that," and I found a lot of bands to feature, emerging bands. It [ended up being] symbiotic.

I don't look like a model; I'm a rock writer.

I got a unicorn horn on my head once. I said, "Can you really see that on camera?" My producer said, "You can see it from space." I would have to angle my head a certain way so that I didn't look misshapen on camera.

[ Lenny Kravitz] is really handsome, and I know I should be objective and think about his music, but up close, he is a really good-looking guy. He was hugging me while I was trying to go to a video, and I completely... You turn into a giddy girl, and it was just horrifying, because he really smelled good, and just the whole package... It's just too much.

Also because few people were watching - aside from a healthy amount of incarcerated people, because M2 was offered in a lot of prisons - I was able to ask really long, kind of muso questions, that they loved. We could really geek out and talk about music for long periods of time, and that tape would just keep rolling and rolling.

I'm a sucker for a man who giggles-not a high-pitched serial-killer sort of giggle, but a lighthearted laugh.

I started getting fan notes from people saying, "Oh, keep up the mess-ups," and I'm thinking, "I'm not doing it deliberately. This is just who I am." But people thought it was funny. I guess if you're watching and you see that I could do it, maybe it gives hope that anybody can do it.